You can’t teach how to make Hollywood movies. What you can do is make people look at the language of cinema. Why do we need a close-up? I got a master, I got an over, I got close-up – what’s the best, what’s the most effective way to move people who are watching it, who don’t know what this person is or don’t know what the circumstances are; how do I engage them? And you can do that anywhere. You don’t have to go to London, you don’t have to go to Pinewood, you don’t have to go to SC. Creativity happens on the fringe. It does. It’s too bad. But you can get there. Start in the fringe, meet those people, write your scripts.